PRESS COVERAGE: This month we are proud to work with Print Solutions magazine and provide a comprehensive overview of the best practices of preflighting.
Our very own preflight guru, Andrew Bailles-Collins, PitStop Senior Product manager, talks to Print Solution Editor Susan Wright about this vital part of the production workflow.
Stress and burnout are becoming a rather common phenomenon in the workplace. Especially in fast-paced work environments where time is money, errors can’t be afforded and repetitive tasks are prioritized over creativity and imagination. Sounds like your prepress division? You may be onto something.
PRESS COVERAGE: Last month our Managing Director, Wim Fransen, sat down with David Zwang, the Contributing Editor at What They Think, to discuss the merits of building a lights out automated workflow through job on-boarding, and preflight and how Enfocus Switch and PitStop play important roles.
Adopting and sustaining a smooth workflow is crucial for any business. Commercial printers in particular are challenged by an increasing demand for short runs and custom jobs – and simply investing in extra hardware just doesn’t cut it anymore. Unless workflows are optimized, the following bottlenecks will occur and lead any printing business to chaos.
Using black ink for offset printing can be a tricky business. We’ve all been there, scratching our heads when we see a supposedly jet black area turn out grayish, greenish or even bluish in print. Fortunately, graphic designers and printers have a few tricks up their sleeves to solve this common printing problem and create what is known in the printing industry as rich black or deep black.